One Image. Many Ways to Live With It
Each photograph can be realised in a range of techniques and materials — from archival fine art paper to backlit panels with dimmable light — each suited to a different space, surface, and way of living with the work
Fine Art Paper
Hahnemühle, cotton or baryta archival paper — the classic, museum-grade foundation for every image in the collection.
Archival-grade paper with exceptional tonal depth and a tactile, matte surface. Ideal for classic gallery presentation and interiors where a softer, more traditional finish is preferred. Requires framing or glazing for long-term protection in high-traffic environments.
Dibond
Aluminium composite, frameless and contemporary. Mounted flush to the wall, with marine-grade versions available for yacht and outdoor installations.
2mm or 3mm aluminium composite panel, rigid and perfectly flat, mounted with aluminium standoffs for a floating, frameless finish. Suited to both interior and exterior use; marine-grade certified versions resist galvanic corrosion for yacht and coastal installations. Less traditional in appearance than framed paper — best for contemporary interiors.
Under Plexiglass
A glass-like depth beneath the surface, in standard or anti-reflective finish — the image seems to float just below the light.
3mm or 5mm acrylic, available bonded to Dibond or as a sandwich construction up to 2cm thick for a more sculptural presence. Anti-reflective coating available, softening reflections with a faint neutral cast rather than eliminating them entirely. Adds noticeable depth and richness to colour and contrast; more fragile to scratching than Dibond alone, and standard (non-AR) versions show stronger reflections under direct light.
Relief Print
Direct UV printing builds texture into the surface itself, giving architectural detail a tactile, three-dimensional presence.
Multi-layer UV printing builds physical texture directly onto the surface, up to 8cm in relief, weather-resistant and suitable for outdoor use. Creates a genuinely sculptural, tactile result well suited to architectural detail. Being a specialised process, lead times and cost are typically higher than flat printing techniques.
Backlit
A complete light box with dimmable LED, so the work becomes a source of light in the room, not just an object on the wall.
Custom-built aluminium light box, as slim as 7cm in depth, with dimmable LED integrated at the rear. Printed on opaline or Duratrans media for even light diffusion. Transforms the piece into a genuine light source within the room — striking after dark, but requires a power connection and is less suited to spaces without discreet cabling access.
Framing
Museum-grade passe-partout and anti-reflective glass, for a more traditional presentation tailored to the space.
Hand-finished framing with museum-grade passe-partout and anti-reflective glazing, made in-house. Offers a more classic, gallery-style presentation and added surface protection. Adds visual weight and formality — better suited to traditional or transitional interiors than minimal, frameless spaces.
